Tumlir, Jan, "Cindy Bernard: Margo Leavin Gallery", Artforum, March 2005, pp. 244-5, ill. pg. 244 Documenting, Becher style, the morphological range of the bandshells that she encountered in parks throughout California and the Midwest, Bernard leaves both the audience area and the stage empty, shifting the focus to a form of civic architecture. From a 1928 World War