Block Watercolors circa 2018-2019

This suite of 13 “block” watercolors are all derived from a single source and beg the question, “When does pattern collapse into abstraction?” I’m interested in being repelled by visual difficulty and yet drawn in and rewarded by “deep looking” – my version of Pauline Oliveros’ concept of ‘deep listening’. A key influence was seeing the Stuart Davis exhibition at the Whitney, recognizing his use of templates and repetition, and coming to understand the role improvisation, in music and in paint, plays in the work.

A recent quote from Thom Yorke encapsulates some of what I’m interested in with these paintings – he’s speaking about his Suspiria soundtrack, “I went to the cupboard and got the melancholy balls, poured some out and mixed them with dread, death and femininity, balled ’em up a bit….and…uh…yeah…”

Other works from the Vinland project:
Structures circa 2013-2014
Vinland paintings circa 2016-2017

 

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Cindy Bernard, Block 12 (Miraleste circa 1940), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 11, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 4, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 3, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 2, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 1 (Miraleste circa 1940), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 6 (Miraleste circa 1940), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 5, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2018, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 8, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2019, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 13, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2019, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 10, (Miraleste circa 1940), 2019, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 9, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2019, Watercolor, graphite, 44 x 34 inches
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Cindy Bernard, Block 7, with repairs, (Miraleste circa 1940 and Twentynine Palms circa 1970), 2019, Watercolor, graphite, 44 x 34 inches