Posts In: Catalogues & Brochures

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Walkers: Hollywood Afterlives in Art and Artifact, pp

Walkers: Hollywood Afterlives in Art and Artifact Catalog

Ruben, Robert M., Walkers: Hollywood Afterlives in Art and Artifact, Museum of the Moving Image, 2015, p. 30, 179, ill.  

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Cindy Bernard, from the series Silent Key

Silent Key, Boston Center of the Arts, 2008-2009

Silent Key, Boston Center of the Arts, December 12, 2008 – February 15, 2009 Curated by Jose Luis Blondet Download the brochure. Brochure text: For...

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Visual Music: Synaesthesia in Art and Music Since 1900, Catalogue cover

Visual Music: Synaesthesia in Art and Music Since 1900

Installation documentation, projections+sound (aka Location Proposal #6), collaboration with Joseph Hammer, Museum of Contemporary Art, Los Angeles, February 12 = May 22, 2005

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Art and Photography Cover

Art and Photography, 2003

January 7, 2003 Press / Publications 0

Art and Photography, David Campany, Ed, Phaidon Themes and Movements series, 2003

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Brougher, Kerry, "Hitch-hiking in Dreamscapes," Notorious: Hitchcock in Contemporary Art, 2001 (excerpt)

Notorious: Hitchcock and Contemporary Art, 1999

Museum of Modern Art, Oxford travelled to Museum of Contemporary Art, Sydney; Art Gallery of Hamilton, Ontario; Kunsthalle Brandts Klædefabrik, Odense; Fondació “la Caixa,” Madrid; Tokyo Opera...

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Hall of Mirrors Front Cover, 1996

Hall of Mirrors, Art and Film Since 1945, 1996

Travelled to: Museum of Contemporary Art, Los Angeles (1996), Wexner Center for the Arts (1996-97), Palazzo della Esposizioni (1997), MCA, Chicago (1997-98). Catalogue excerpt coming...

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Lyon Biennale Catalog Cover

Ask the Dust, Lyon Biennale, 1995

Lyon Biennale Catalogue Excerpt

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Cindy Bernard Catalogue Cover, 1995

James Hockey Gallery, Surrey Institute of Art and Design, 1995

Curated by Andrew Cross. Travelled to Viewpoint Photography Gallery, Manchester, England Catalogue excerpt: Durden, Mark, Screen Memories, 1995

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Cindy Bernard, Security Envelope Grid (1-100), CCP, University of Arizona, Tucson, 1993

Security Envelopes, Center for Creative Photography, 1993

Since the late nineteenth century, the technical capability of photography to accurately describe and convincingly distort the visual world has exponentially increased. It is only...

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Exhibit A Catalogue Cover

Ask the Dust, Exhibit A, Serpentine Gallery, 1992

…Once included in the complex narrative of a particular film, the landscapes have often become symbolic of a particular vision of America. The vision, once...

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