Posts In: Books

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Hitchcock and Contemporary Art

Sprengler, Christine, Hitchcock and Contemporary Art, 2014

August 2, 2014 Press / Publications 0

Cover shot!

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Cunningham, Douglas,,The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage and Commemoration

The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage and Commemoration , 2012

December 15, 2011 Press / Publications 0

Cunningham, Douglas, “Proposed Locations: On Postmodern Tributes to Vertigo and Place: Cindy Bernard in conversation with Douglas Cunningham,” The San Francisco of Alfred Hitchcock’s Vertigo:...

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Framing Pictures

Steven Jacobs, Framing Pictures: Film and the Visual Arts, 2011

June 2, 2011 Press / Publications 0

Jacobs, Steven, Framing Pictures: Film and the Visual Arts, Edinburgh University Press, 2011 pp. 155, 162,

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kino und kunst cover, 2003

Kino und Kunst, 2003

September 7, 2003 Press / Publications 0

Excerpt, Heinz Peter Schwerfel, Kino Und Kunst, 2003

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Art and Photography Cover

Art and Photography, 2003

January 7, 2003 Press / Publications 0

Art and Photography, David Campany, Ed, Phaidon Themes and Movements series, 2003

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Althen Cover, 2002

Warte, bis es dunkel ist. Eine Liebeserklärung ans Kino, 2002

September 7, 2002 Press / Publications 0
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Auiler Vertigo cover

Vertigo, The Making of a Hitchcock Classic, 1998

June 7, 1998 Press / Publications 0

…Bernard’s work demonstrates the power of location to evoke the memory of a film–perhaps most provocatively with Vertigo, a film itself concerned with memory...

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Cindy Bernard, Security Envelope Grid (1-100), CCP, University of Arizona, Tucson, 1993

Security Envelopes, Center for Creative Photography, 1993

Since the late nineteenth century, the technical capability of photography to accurately describe and convincingly distort the visual world has exponentially increased. It is only...

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Exhibit A Catalogue Cover

Ask the Dust, Exhibit A, Serpentine Gallery, 1992

…Once included in the complex narrative of a particular film, the landscapes have often become symbolic of a particular vision of America. The vision, once...

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Cindy Bernard, Security Envelope: Museum of Modern Art, 1987

Security Envelopes, Centro Cultural Arte Contemporaneo, 1991

Bonnie Clearwater, Cindy Bernard, Centro Cultural Arte Contemporaneo, 1991

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